Get Happy, This Is A Very Rare Glimps Into The Distant Past...

"The NY Times recently ran a story on the discovery of a cache of wax cylinder records, recorded in Europe in the 1880s, of Otto von Bismarck, Helmuth von Moltke, and various musicians. 'In June 1889, Edison sent Wangemann to Europe, initially to ensure that the phonograph at the Paris World’s Fair remained in working order. After Paris, Wangemann toured his native Germany, recording musical artists and often visiting the homes of prominent members of society who were fascinated with the talking machine. Until now, the only available recording from Wangemann’s European trip has been a well-known and well-worn cylinder of Brahms playing an excerpt from his first Hungarian Dance. That recording is so damaged "that many listeners can scarcely discern the sound of a piano, which has in turn tarnished the reputations of both Wangemann and the Edison phonograph of the late 1880s," Dr. Feaster said. "These newly unearthed examples vindicate both."'"

 In 1878, when Thomas Edison was hired to study the objectionable noise produced by the Metropolitan Elevated Railroad in New York City, he turned to the phonautograph, adapting one of his tinfoil phonographs to draw a "readable" lateral waveform. Edison's colleague Charles Batchelor made this particular phonautogram as part of that project in September. We believe the excerpt presented here begins and ends with test shouts, with three specimens of actual train noise in between-the earliest American sounds yet reproduced. Note that pitch fluctuations are due at least in part to the irregular recording speed.
  Metropolitan Elevated Railroad